Bibliography

The following bibliography lists most of the key works in Ecomedia Studies. By no means is the list complete. However, it should provide a good starting point for anyone interested in exploring the scholarship. Please send suggested additions to srust@uoregon.edu.


Media Types
Books
Articles in Edited Anthologies
Journal Articles

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Books



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A

Anderson, Alison. Media, Culture, and the Environment. Rutgers University Press, 1997.


B

Baker, Steve. Picturing the Beast: Animals, Identity, and Representation. Champaign, IL: University of Illinois Press, 2001.

Berger, John. About Looking. London: Vintage International. 1980.

Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. MIT Press, 1999.

Bousé, Derek. Wildlife Films. Philadelphia, PA: University of Pennsylvania Press, 2000.

Brereton, Pat. Hollywood Utopia: Ecology in Contemporary American Cinema. Portland, OR: Intellect Ltd., 2005.

Burt, Jonathan. Animals in Film. Chicago, IL: University of Chicago Press, 2002.

C

Carmichael, Deborah, ed. The Landscape of Hollywood Westerns: Ecocriticism in the American Film Genre. Salt Lake City, UT: University of Utah Press, 2006.

Chris, Cynthia. Watching Wildlife. Minneapolis, MN: University of Minnesota, 2006.

Conley, Verena Andermatt. Ecopolitics: The Environment in Poststructuralist Thought. New York: Routledge, c1997.

Cubitt, Sean. Eco Media. Amsterdam and New York: Rodopi, 2005.


D

DeLuca, Kevin. Image Politics: The New Rhetoric of Environmental Activism. NY: Guilford Press, 1999.

Dobrin, Sidney and Sean Morey. eds. Ecosee: Image, Rhetoric, and Nature. Albany NY: Suny University Press, 2009.

Dunaway, Finis. Natural Visions: The Power of Images in American Environmental Reform. Chicago: University of Chicago Press, 2005.


E

Elliot, Nils Lindahl. Mediating Nature. New York: Routledge, 2006.


G
Grodal, Torben. Embodied Visions: Evolution, Emotion, Culture, and Film. Oxford: Oxford UP, 2009.


H

Haraway, Donna. Primate Visions: Gender, Race, and Nature in the World of Modern Science. New York: Routledge, 1989.

Haraway, Donna. When Species Meet. University of Minnesota Press, 2008.

Hochman, Jhan. Green Cultural Studies: Nature in Film, Novel, and Theory. Moscow, ID: University of Idaho Press, 1998.


I

Ingram, David. Green Screen: Environmentalism and Hollywood Cinema. Exeter, UK: University of Exeter Press, 2000.


L

Lippit, Akira Mizuta Electric Animal: Toward a Rhetoric of Wildlife. 2000; Minneapolis: University of Minnesota P, 2008.

Lu, Sheldon H. and Jiayan Mi. Chinese Ecocinema: In the Age of Environmental Challenge. Seattle: U Washington Press, 2010.


M

MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. Berkeley, CA: University of California Press, 2001.

McFarland, Sarah E. and Ryan Hediger, eds. Animals and Agency. Boston: Brill, 2009.

Meister, Mark and Phyllis M. Japp. eds. Enviropop: Studies in Environmental Rhetoric and Popular Culture. Westport, CT: Praeger, 2002.

Mi, Jiayan and Sheldon Lu. eds. Chinese Ecocinema in the Age of Environmental Challenge. Hong Kong University Press, 2009.

Mitman, Gregg. Reel Nature: : America’s Romance with Wildlife on Film. Cambridge, MA: Harvard University Press, 1999.

Murray, Robin L. and Joseph K. Heumann. Ecology and Popular Film: Cinema on the Edge. NY: SUNY Press, 2009.


S
Sitney, P. Adams. Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson. Oxford: Oxford UP, 2008.


W

Wells, Paul. The Animated Bestiary: Animals, Cartoons, and Culture. Piscataway, NJ: Rutgers, UP, 2009.

Wilson, Alexander. The Culture of Nature: Northern American Landscape from Disney to Exxon Valdez. Malden, MA: Blackwell Publishing Ltd, 1992.

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Articles in Edited Anthologies



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A

Armbruster, Karla. "Creating the World we must Save: The Paradox of Television Nature Documentaries." Writing the Environment: Ecocriticism and Literature. Ed.
Richard Kerridge and Neil Sammells. London: Zed Books, 1998. 218-238.


B

Braudy, Leo. “The Genre of Nature: Ceremonies of Innocence.” Refiguring American Film Genres: History and Theory. Ed. Nick Browne. Berkeley: U California
Press, 1998. 278-310.


I
Ingram, David. "Hollywood Cinema and Climate Change: The Day After Tomorrow". Words on Water: Literary and Cultural Representations. Eds. Maureen Devine and Christa Grewe-Volpp. Trier: WVT Wissenschaftlicher Verlag Trier, 2008, 53-63.



J
Jhally, Sut. "Advertising at the Edge of the Apocalypse." Critical Studies in Media Commercialism. Eds. Robin Anderson and Lance Strate. New York: Oxford UP, 2000: 27-39.


L

Light, Andrew. "Boyz in the Woods." Ed. Michael Bennett and David Teague. W. Tucson, AZ: The University of Arizona Press, 1999. 137-156.

Lulka, David. "Consuming Timothy Treadwell: Redefining Nonhuman Agency in Light of Herzog's Grizzly Man. Animals and Agency: An Interdisciplinary Exploration.
Leiden, Netherlands: Brill, 2009: 67-88.


M

McFarland, Sarah E. "Dancing Penguins and a Pretentious Raccoon: Animaed Animals as 21st Century Environmentalism." Animals and Agency: An Interdisciplinary Exploration. Leiden, Netherlands: Brill, 2009:89-105.

Miller, Toby.“La mano visible: Apuntes sobre la incorporación del impacto ambiental de las tecnologías mediaticas en la investigación sobre medios y globalización.”
Comunicación. Ed. José Carlos Lozano Rendón. Monterrey: Fondo Editorial de Nuevo León. 2008, 121-25.


P

Plevin, Arlene. "Home Everywhere and the Injured Body of the World: The Subversive Humor of Blue Vinyl." Ed. Rachel Stein. New Perspectives on Environmental
Justice. Newark, NJ: The State University of New Jersey, 2004. 225-239.


R

Retzinger, Jean. "Cultivating the Agrarian Myth in Hollywood." Enviropop: Studies in Environmental Rhetoric and Popular Culture. Ed. Mark Meister and Phyllis Japp.
Westport, CT: Praeger Press, 2002. 45-62.



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Journal Articles



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A
Arthurs, Jane, Usha Zacharias, Jennifer Blair, Richard Maxell, and Toby Miller. "Commentary and Criticism: Environment, Media, and New Gender Politics." Feminist Media Studies. 8/3 (2008): 317-329.

B

Beinart, William and Katie McKeown. "Wildlife Media and Representations of Africa, 1950s to the 1970s." Environmental History 14.2 (2009) 429-452.

Berrettini, Mark L. “’Danger! Danger! Danger!’ or When Animals Might Attack: Adventure Activism and Wildlife Film and Television.” Scope (2005):
http://www.scope.nottingham.ac.uk/phprint.php


C

Crowther, Barbara. "Toward a Feminist Critique of Television Natural History Programmes." Feminist Subjects, Multimedia: Cultural Methodologies. Ed. Penny Florence
and Dee Reynold. Manchester, UK: Manchester University Press, 1994. 183-190.


I
Ingram, David. "Fly Away Home and the Hollywood Conservationist Movie". Scope: an on-line journal of film studies, http://www.nottingham.ac.uk/film, 2000.

Ingram, David. "For Free?: Theorising consumption, commerce, and the environmental costs of artistic production." Green Letters. No. 8. Spring 2007, 13-22.

Ivakhiv, Adrian “Green Film Criticism and its Futures,” ISLE (Summer 2008). 1-28.


L

Ladino, Jennifer K. "For the Love of Nature: Documenting Life, Death, and Animalty in Grizzly Man and March of the Penguins." ISLE 16:1 (Winter 2009): 53-90.

Leiserowitz, Anthony A. “Before and After The Day After Tomorrow: A U.S. Study of Climate Change Risk Perception.” Environment. 46/9 (Nov. 2004): 34.


M

MacDonald, Scott."Ten+(Alternative) Films about American Cities." Interdisciplinary Studies in Literature and Environment 8.1 (2001): 53-72.
---. “Toward an Eco-Cinema.” Interdisciplinary Studies in Literature and Environment 11/2 (Summer 2004): 107-132.
---.“Up Close and Political: Three Short Ruminations on Ideology in the Nature Film.” Film Quarterly 59/3 (Spring 2006): 4-21.

McCabe, Colin . "Realism and the Cinema: Notes on Some Brechtian Theses," Screen, 15:2 (Summer 1974), 16-.

Miller, Toby. “Creative Industries or Wasteful Ones?” (with Richard Maxwell). Urban China 33 (2008) 122 <http://orgnets.net/urban_china/maxwell_miller>.

Miller, Toby and Richard Maxwell. “E-Waste: Elephant in the Living Room. Flow 9:3 (2008) <http://flowtv.org/?p=2194>.
--- “Green Smokestacks?” Feminist Media Studies 8:3 (2008) 324-29.
---“La mano visible.” Pagina 12 (6 August 2008) <http://www.pagina12.com.ar/imprimir/diario/laventana/26-109121-2008-08-06.html>.

Murray, Robin, and Joseph Huemann. "Dark City, Noir, and the Space between: Or it is our Nature to Live in the Dark?" Scope: An Online Journal of Film and TV
Studies 10 (2008) <http://www.scope.nottingham.ac.uk/article.php?issue=4&id=126&section=article&q=race>.
---. "Al Gore's an Inconvenient Truth and its Skeptics: A Case of Environmental Nostalgia." Jump Cut: A Review of Contemporary Media 49 (2007)
<http://www.ejumpcut.org/archive/jc49.2007/inconvenTruth/text.html>.


O

Opel, Andy. "Structural Change? Environmental Documentary and Globalization." Environmental Communication Journal of Nature and Culture 1.1 (2007): 111-8.


P

Past, Elena. "Lives Aquatic: Mediterranean Cinema and an Ethics of Underwater Existence." Cinema Journal. 48:3 (Spring 2009): 52-65.


R

Retzinger, Jean. "Cultivating the Agrarian Myth in Hollywood." Enviropop: Studies in Environmental Rhetoric and Popular Culuter. Ed. Mark Meister and Phyllis Japp.
Westport, CT: Praeger Press, 2002. 45-62.


S

Stephens, Gregory. “Confining Nature: Rites of Passage, Eco-Indigenes and the Uses of Meat in WALKABOUT.” ‘Senses of Cinema.’ (July 2009): 1-14.

Stumpo, Jeff. "E-cology: EverQuest and the Environment(s)." ISLE 15:2 (Summer 2008): 29-40.


V

Vivanco, Luis. "The Work of Environmentalism in the Age of Televisual Adventures." Cultural Dynamics 16.1 (2004): 5-27.


W

Welling, Bart. "Squeal Like a Pig: Manhood, Wilderness, and Imperialist Nostalgia in John Boorman's Deliverance." Green Letters 6 (2005): 24-38.

Z
Ziser, Michael and Julie Sze, “Climate Change, Environmental Aesthetics, and Global Environmental Justice Cultural Studies,” Discourse 29.2 (Spring & Fall, 2007): 384-410.


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